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TINKER TAILOR SOLDIER SPY [ icons x 56 ] KATE WINSLET [ icons x 34 ]
Because I'm a fucking lunatic sob. What is wrong with me.









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Thank you for looking. o/



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Put them together and it's charged, it's electric and it's fearsome because you know it's going to be so good while it's good, and when it's bad it's going to be irreparably so. Which it ends up being.
I think then when we get to canon the broken man we have as Dom is....he blames himself, that's clear but part of him logically knows it's not his fault alone. When he recounts to Ariadne he tells her that Mal chose to forget something. Now we don't know why but to me she looked haunted, fearful. It occurred to me and a couple of other people that maybe they had gotten caught up in each other, in the dream and maybe once X amount of time had passed and Dom first suggested waking up, Mal had been afraid - afraid of how much time might have passed up top, and afraid especially because they had left their children; I know people like to paint Mal as fearless but I think it's important to note that even the Shade fears.
She fears losing Dom; that's the only way you get that kind of wretchedness that we see when she yells at him - you promised. I think that he knows that he betrayed her by not warning her, by not telling her but it was not ALL his fault. He wasn't the one who CHOSE to forget which when people overlook that it makes me livid in that stupid-fandom-meta-don't-care-so-much-Haku-gosh way LMFFF embarrassing but there you go. To vilify Dom or Mal completely is so wholly inaccurate and unfair and if we need just one reason for it it's this: look at how much they loved each other and really, think about Arthur.
She was lovely. Note on Mal. Him following Dom for years when he basically gets treated like....well, you know. Note on Dom. Cobb pausing when Ariadne tells him he can explain to Arthur, can show him what she saw and she'll let the subject drop and Cobb getting her that seat on the plane. Some people say this is Cobb folly again, Cobb selfishness but I want to argue that it's not. He IS selfish, absolutely we see that plenty with the whole RISKING YOU ALL REGARDLESS thing alone. But when he pauses with Ariadne about Arthur he looks conflicted and it's, more, I think, because he knows that Arthur who knew Mal (Arthur who keeps running into Mal in Cobb's dreamscapes, getting shot and who knows what else) might not be able to take it, or at least that it wouldn't do him any favors. I know it's arguable both ways but it's important to me that both sides are put out sob and I know the villainous route will be the more obvious and likely chosen.
Anyways uh WOW IDK WHERE I WAS GOING WITH THAT IT'S 6AM BUT
THERE IS MORE JUST IT'S ALL KIND OF SKIPPING-STONED AROUND.
/)_(\
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Mal recognizing the need for totems intrigues me. Is it because she saw the propensity within herself to lose herself or was it Dom's tendency to fixate/go deeper that she was warding against? Or was it merely an academic analysis that later turned against them? IT'S FASCINATING, I TELL YOU.
"Put them together and it's charged, it's electric and it's fearsome because you know it's going to be so good while it's good, and when it's bad it's going to be irreparably so. "
Yes, yes, definitely this. No love that makes anyone 'half a whole' or 'a lover' by definition rather than being defined by the self will escape whole after it's gone--and it always goes.
"I know people like to paint Mal as fearless but I think it's important to note that even the Shade fears."
I would agree with this. Mal was human and needed to have all the nuances that entails, including fear. But I'll maintain that the Shade cannot be an accurate vision of Mal-as-she-was, because she's constantly filtered through Dom. It's difficult to say how much of the Shade's concerns were her as well. She asks after the children in the Saito scene, but--is that her, or is that Dom's guilt? The same could be said of her fear of losing Dom: obviously there is a basis in reality--she tried to pin him into having to jump with her, but at the same time the choice to live out and hear those words repetitively in his mind is Dom's choice, you know? In fact, I sort of like this, because even then, it's impossible to separate them until he really lets her go, because they're literally indistinguishable from each other. Mal is fully integrated into Dom after her death, but she's alive in some way. Dom, for his part, is alive, but not whole without taking her and the Shade into consideration.
ajsfiajlsfsa does this even make sense, idk.
ANYWAY: ARTHUR!
I love, love, love the line where Ariadne asks him about Mal and he responds, "She was lovely." Of all the ways he could choose to describe her, this person who is no more except in a warped ephemeral version of herself, is this one, single word: lovely. And I agree, Cobb-folly isn't necessarily the best way to explain not telling Arthur. The soft way Arthur says 'lovely' explains all of them without ever being specific. Arthur knew them both--maybe he'd put the story together and that's something Cobb can't stand. Or maybe Cobb needs to keep these things separate for his mental health. Whatever, it's his call. Though, bringing Ariadne into the death-trap, too, does illustrate his selfish ability to fixate beautifully.
Um. Yeah. YOU PROBABLY DIDN'T WANT THIS TL;DR THING IN RESPONSE. BUT HERE YOU GO ANYWAY.
no subject
Mal as she was is summed up as lovely, driven, imperfect, compelling. We don't know the specifics but that much at least is all there in canon via Arthur and Dom at their most honest.
Shade Mal is indicative of echoes that have truth but the truth is even if it's his subconscious they were THAT integral to each other as you said that it makes sense that the concerns and fears would resonate the same, ghost or no ghost. I just think Mal is compelling and I love her but she has so much of a PROBLEM about her that I am like I FEEL THE NEED to point it out to people over and over because sob THIS IS MY LIFE LMFAO FAILLLLLLLLLLLL
/SOBS PAWS ROLLS
no subject
Ahahaha, this this this this. Way to be CREEPY, GUYS. ALSO, on a random note, this is fascinating about limbo in general--I really wanted to see how different characters contruct limbo, you know? Even SAITO's limbo is already somewhat based off of Cobb's conception of it and his civilian mindset (perhaps hence the people, too, since he's not used to thinking of dream population as projections etc etc).
But Back to Mal-Dom...
Regarding Arthur's comment, maybe it is a look at the 'real Mal,' but it's like a peripheral glance that we can't really make much out from. Nothing detailed or defined anyway. Perhaps the closest we get is in Cobb's movement towards honesty and the 'real Mal' (as opposed to his Shade), but there's no way to really say. Of course she was flawed and imperfect--she was human. But the exact lines will always be in flux, because we never get the straight-on view of her, you know? (Ha, hello, all the reasons/ambiguity I love about Mal.) But, yes, I agree: she is compelling and she has problems (and they're not all named Cobb, nor totally revolve around him--though a fair number do) and she's complex...
"Mal as she was is summed up as lovely, driven, imperfect, compelling. We don't know the specifics but that much at least is all there in canon via Arthur and Dom at their most honest. "
Really, there just needs to be MOAR FIC exploring this. D:
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BUT maybe that makes sense, you know? Fanfiction tends to try to fill in blanks. Maybe people just feel like Cobb has been filled in pretty well already?
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For fandom to overlook him re movie perspective however to me is an oversight, plain and simple. There is always more knowledge >/ lmffff or rather room to explore and I AM JUST AUOPJEKLGSD
But I am also like idk I DO GET that most people odn't care for him sob lolol
/lonely candle .....bearer......
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BUT AT THE SAME TIME, I CANNOT HELP BUT POINT OUT THAT THE ONE PIECE OF FANFICTION I'VE SEEN FROM YOU IS ARTHUR/EAMES?
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Which uh IDK FORUM FOR THAT LMFAO SCREAMING.
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EXCUSE ME FOREVER LMFAO WRITING THIS.
♥♥♥♥♥♥♥♥♥♥♥♥
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